There are only two qualifications necessary to write a book for a child:

  1. You have to have been a child.
  2. You have to be able to remember what it feels like.

Ok, so you probably have to be able to write, hold a pen/pencil, tap on a key board spell more or less; maybe you have to own a computer or at least a stock of paper. But I suggest that all the other stuff: clarity, focus and intent, characterisation, plotting, keeping it active, not littering the whole thing with lazy adverbs and (yawn yawn) showing not telling will all sort themselves out, eventually if…
You can empathise with children.
This is how my dictionary defines empathise:

To understand and share the feelings of another.

When my brother was doing his CSE English (1970’s GCSE equivalents – sort of) he left all his coursework till the last minute. It was an essay a night in the half hour after tea, before he went out motorbikin’ or whatever it was he did in 1978. Every night he’d say “Jan, can you give us an idea for …” and the one I remember is… “… living in someone else’s shoes.” I don’t remember the idea I gave him but I always remember that title when I’m trying to write a character. Can I be them? In my imagination, can I live their life, not respond to their challenges as me (middle aged middle class well meaning woman) but as them?
I can have rosy memories of what life was like when I was a child:I was never rude to adults, I was happy with sixpence a week to spend on a bag of lemon sherbert at the corner shop and I always kept my bedroom tidy. If I shrink a bit, step into some trainers, I can remember what it felt like when I saw the kid with the brand new chopper, when my mum told me off and it wasn’t my fault, how boring tidying up was when the rest of the world was out playing. Maybe the toys and sweets are different but inside, children are much the same as ever.

Tapping into those feelings, helps me understand why children do what they do (incidentally, it also helps me be a better parent). Feelings motivate what anyone does – guilt usually works for adult me for instance. If I can understand children’s motivations I should be able to write my characters actions more convincingly – plot, of course being character in action.

So: empathy (sharing and understanding feelings) leads to character responses (internal monologue of POV character, speech or body language of other characters) leads to character action leads to plot.

Being another person, living in their shoes is about physical feeling too. What if your child character is hungry, hot or cold, uncomfortable – has just being given a horrible scratchy jumper to wear, soggy sprouts and boiled potatoes to eat. Adults can be a lot better than children at coping with these things. If I can empathise with children I’ll notice details (ones that make a scene come alive) that might be off my adult radar, for instance bits in yoghurts, hard seams on the inside of a pair of knickers.

What’s on top will be different for them too – ‘what’s for tea?’ usually comes quite high up or where’s the toilet? When one of my children was about 4 years old I was explaining to her about distress flares at sea. I said it was for an emergency if your boat was sinking, perhaps; she  said… “ or if you really needed the toilet.” That was on top for her.

The Master of Fantasy

Children’s books are often fantastic works of the imagination – amazing worlds, exciting adventures, weird creatures. I’m in awe of all this invention. But I think what makes a children’s book truly great is the imagination the author uses to remember what it really felt like to be a child.

This is my favourite badge from the SCWBI conference last month.

Designed by Paul Morton

I love the kids hiding not just under but also inside a book, like it’s their den. Having been a child myself, I know dens are very important.

It’s old news now, but last week The Telegraph reported on a survey from the National Literacy Trust that 4m children do not own a single book. I asked a colleague who distributes Bookstart what she thought about that statistic. Even in her role as a book giver, she said that in some parts of the country, she could well believe it’s true.

I’ve been following the Countdown to Christmas post on Notes From the Slushpile. Agents, publishers, editors, booksellers, almost theres, coaches and poets have been posting their hopes for Christmas and 2012. Top on Sarah Odedina’s wish list is a book in every Christmas stocking – that’s adults and children – one way of getting children to read is to model it yourself – all the better if you’re a parent and better still, a dad.

Among other things, The Telegraph report talks about literacy levels, ‘magical carpets’, reading as ‘one of the richest and most thrilling experiences that they can have’ and ‘the skills that children acquire through reading’.

While I absolutely agree with all the above, I think there’s more.

I have a list.

When you give a child a book this Christmas, you’ll be giving them:

  • The reassurance that other children feel the same way. They’ll have access to children’s secret thoughts, the ones that aren’t shared in the playground – the thoughts that make children feel they’re the only one. A book can show them they’re not.
  • A way to live their lives not by being told but shown how other people live and the freedom to come to their own conclusions about how to live their way. At the SCBWI Conference this year Frank Cottrell Boyce talked about a young woman who was successful in spite of the odds being stacked against her. What made the difference to her life? A book.
  • A hiding place. Who hasn’t slouched over their desk behind a text book wall?
  • The opportunity to be read to. A bedtime or anytime story is one of those priceless relationship-building times.
  • An escape hatch when everything gets too much.
  • A wardrobe door, a gateway to possibilities of the imagination for the real and the made-up worlds.
  • Inspiration, kick starts to their own imagination
  • The chance to meet extraordinary people up close and personal. Often, unexpectedly extraordinary people, who might appear ordinary on the outside but because they’re in a book, the reader will know what’s really going on.

and…

  • Hope. Bad things will always happen in real life and in a good story you have to have trouble. Books can help children find a way through their own.

Give a book for Christmas and you give a whole lot more.

Can you add to this list? Either from what you remember as a child or what you’ve noticed in children you know.

I am a sensitive person but sadly the most sensitive bit of me is a tooth. While I was waiting for the drugs to kick in on Thursday night I watched the first film I bought on video, not that long after that crazy dream of being able to watch all your favourite stuff whenever you wanted became a reality.

Crossing Delancey (1988) with Amy Irving and Peter Riegert has a wonderful soundtrack from the Roches, a writerly theme, and a Jewish Bubba who hires a marriage broker for her thirty-something granddaughter. In the story, the writer is a git and it’s the pickle man with the poetry.

The first music I bought on vinyl, was Simon and Garfunkel’s Greatest Hits which is still cool, almost as cool as the Wombles which might have been the second.

cool?

or oooler?

Here’s a secret, even though I no longer nurture ambitions to sing my way to fame and fortune (more fortune) I still have singing lessons. My song of the moment is The Sound of Silence, which the lovely Elaine (singing teacher) would let me belt out every lesson, ironically.

The Owl Service by Alan Garner has to be the first book I bought for myself as opposed to Ned the Lonely Donkey, which was bought for me, twice. A few years ago, I mentioned Ned to a lovely friend; I told her how sad I felt that it was lost in the jumble of house moves and parents passing their use by date. She found it on the Internet for me, where else? So, when I was looking for the Owl Service to prove I did own it, my first thought was a Google search. Could Google ever be that clever? Could it give you a list of helpful suggestions of where to look when you’ve lost something? If it’s already an App, hurray I’m tapping into the zeitgeist, if not you read it here first.

Amazingly still available on Amazon

My tooth is now better, probably more through hope and an abiding fear of the dentist, although we have a lovely one and I am much better about going. And hurray, today I went out for beaujolais soaked lunch but didn’t need the crackling new strip of ibuprofen in my bag, not for my tooth anyway.

How about you? Your three firsts: the film, music and book that first moved you to part with hard cash.

How lovely to be an honorary mention! Ok not quite as lovely as getting to go to the party but that’s fine, I’ve got a bottle of fizz – I can have one anytime.

What this experience has taught me is that as excited as I am about getting published one day, and I feel more and more confident that it will happen eventually, is that I’m a teensy bit more excited about the idea I’ve had for my next story. Now I’m not going to tell you exactly what that is but I did get the idea when I was whiling away a few weeks in Australia, earlier in November. That’s the gadabout I am.

It probably won’t be set in Australia but it will involve a house on a corner, a woman who used to be a man (and that’s the least interesting thing about her), an imaginary (17th century) friend and a fifteen-year-old runaway. And yay, I’m branching out into YA! Emily Barker also provided inspiration with her music, which I love. YA might not be my thing and I might just fall into an MG voice like I usually do but I’m going to give it a go.

I’ll be diving into this new world after Christmas, if I can wait that long. Right now, I’m letting the dust settle on a story about a girl called Bert – first draft completed on Saturday 3rdDecember 2011. It’s about daughters, dads, and denial. Here’s some blurb:

Her name’s Bert Smith not Bertina – if she could only convince her mum that she likes it that way. Bert wants to be her Dad’s first mate forever, taking tourists on boat trips around local beauty spot, Stonewave Cove. But Mum’s having another baby and the baby’s not Dad’s.

Bert is forced to live with her Mum’s boyfriend, Ronnie, in his super-clean starter home in town, only an hour away on the bus but a million miles from Stonewave and Dad. Bert decides that whatever lies Mum tells about Dad not being able to have kids, Dad is her Dad and he needs her if he’s not going to drown in beer and get hurt all over again.

In the end, above a storm-tossed sea on a deserted cliff, Bert must finally accept the identity of her real dad.  And she can choose – get rid him forever or save the last man on earth she’d want for a father.

Bert… so far is about denial, a family breaking up, growing and regrouping, and the girl who has the power to destroy it all. Can eleven-year-old Bert deny herself the chance to have the one and only Dad, she‘s ever wanted?

I would love to write something huge and fantastical but I’m not sure that’s me.  If I had a theme it would be the extraordinariness of ordinary people. Duggie, who earned his Honorary Mention is very ordinary – kid living with single mum on local authority estate who thinks he needs a magic spell to sort his life out and believes he’s found one. It’s a story about growing in confidence – Shameless meets Tracey Beaker. Perhaps in some ways it’s too ordinary and that’s its problem, but I had fun making it up.

So I’m very glad I joined SCBWI, honoured to be mentioned in the excellent Undiscovered Voices 2012 Anthology and wish all the winners many congratulations and publishing deals. With my fellow wonderful mentions I’ll press on, wantonly littering the real world with imagined ones if only for my own amusement.

Here we are again (in alphabetical order of course)

AUTHORS
YOU’RE MAGIC, DUGGIE BONES by Jan Carr
GRIMM TALES: THE BLACKWOOD LEGACY by Liz de Jager
SPRINGPUNK by Julienne Durber
HOW NOT TO GET NOTICED by Jennifer Hicks
BUBBLE AND CAT by Michael Marett-Crosby
THE LIFE AND TIMES OF CARLA GRIMES by Stephanie McGregor
THE SILVER FISH by Anne Mitchell
NORTH OF NOWHERE by Chantel Marie Napier
THROUGH MORTAL EYES by Sally-Jayne Poyton
BREAKWATER by Melissa Rogerson
AT FAULT by Joanna Sargent
BEAUTIFUL NIGHTMARE by Lara Williamson
ILLUSTRATORS
Jennifer Graham
Kim Geyer

I’ll also try to keep up this blog.

Ha

It’s Not Mine, Miss

Posted: July 30, 2011 in Uncategorized

I sank my bum on the chair closest to Miss Johnson’s door; Ellen Parker sank hers on the one next to it.  I had to slide right to the edge so our legs weren’t touching.

The digital clock on the wall clicked with each minute that flapped over. Two forty-six… two forty seven…

Mum’ll be here at three. She told them I’ve got the dentist but really we’re going to the pictures.  I’ve got to meet her outside; she’s so embarrassing… she still calls me what she did when I was little…in public. Two forty…

At last. Johnston opened the door, “Ellen… Leanne…” Ellen followed me in and the head sat in her big black swivelly chair behind the desk. We had to stand up.

“Perhaps you can tell me about this?” She opened the desk drawer and took out a little kid’s purse with a couple of pink mice on the front and a small plastic bag. The stuff inside the bag looked like the dried up leaves and flowers my mum puts in bowls around the flat; she says it’s to take away the smell of the dog – doesn’t work.

“Leanne?”

I stared at the purse, my face felt red-hot, “It’s not mine, miss.”

“And neither’s the cannabis that was inside?” She pointed at the bag.

“No, miss.”

Miss Johnson took off her glasses and tilted her head to one side “How do you think it came to be in your locker, Leanne?”

“She put it in there, miss.”  I pointed at Ellen with my elbow. I didn’t want to look at her.

Miss Johnson’s eyes turned to slits. She leaned over the desk like she was trying to see inside me. A little drop of sweat trickled down my forehead and it was ages before she tried the same tricks on Ellen.

“So Ellen, what have you got to say?”

“Nothing to do with me.”

“But your locker is next to Leanne’s…”

“So?”

Miss Johnson sat back in her chair and gave Ellen the look that warned her about her attitude.

“I mean, I don’t see that’s got anything to do with it, miss.”

“I’ll decide if anything has to do with anything. Leanne said you placed the purse in her locker and that she saw you with it earlier in the day. Leanne, why didn’t you tell me about the purse as soon as you saw it?”

Sometimes teachers can be so dumb, “I didn’t know what was inside then.”

Miss Johnson swivelled a little way on her chair then she picked up the purse and clicked the catch open. “I’m sure at least one of you knows the name inside,” she switched on the desk lamp and shone it inside, “I can see it begins with an f…” She waited for one of us to blurt it out, “F… that’s it ‘Fearne’!”

We both knew it said ‘Fanny’. It’s a stupid name and I hate it. Johnson read the name out her herself when she went through my locker.

Someone stitched me up, someone told her about it and that someone was Ellen Parker.

There was a tap on the door. Before Miss Johnson had a chance to say ‘come in’ Mum was there. Her skirt was nearly up to her knickers, she had that little furry jacket on and four inch heels.

“Hiya everyone! I’ve come to fetch Leanne for the dentist.” Mum winked at me, she’s rubbish at winking, too much mascara. “I’ll hang on till you’ve finished your little meeting but you don’t have a light do you?” She waved a new cigarette between her first two nail-arted fingers.   “Desperate for a fag… “

Johnson looked like someone had shoved dog poo up her nose. “We don’t allow smoking anywhere in the school grounds Mrs…”

“Miss”

“ Yes…Miss er… We’ll only be a few more minutes; please take a seat outside.” Miss Johnson got up and closed the door in Mum’s face.

I imagined her on the other side with a squashed nose. I heard her platforms stamp on the floor and felt sick. She wasn’t gong to wait out there forever. I had to hurry this up, “It’s not mine!” I said, “I don’t know anything about it. Ellen put it in my locker ‘cause she hates my guts!”

Johnson wasn’t taking any notice and went on examining the purse,  “I was mistaken; it actually says ‘Fanny’ in rather childish handwriting. Do either of you know anything about ‘Fanny’?”

I stared at a stain shaped like a banana on the corner of the desk.

“So, Leanne, if it was, to use the vernacular, ‘a plant’ and it was Ellen who planted it, do you have any idea how she did it?”

“Yeah. When we were putting our PE things away. Her mates started nicking my stuff. They chucked my bag down the corridor and when I was getting it, Ellen hid the purse in my trainers.”

“I’d never touch her trainers, they stink!”

“Thank you Ellen…Hah!” Johnson was being the great detective. She wagged her finger, “How do you know they ‘stink’?”

“Everyone does, every time she takes them off in the changing rooms!”

Miss Johnson was looking for something in her drawer again. Ellen pushed her tongue behind her bottom lip and gave me the finger just as Johnson was looking up. Ellen pretended she wasn’t doing anything but it was too late and she can’t act to save her life. The head looked like thunder.

“Ellen Parker, you are excluded for five days. The police will be informed. Leanne you may go.”

Ha! If she was a real detective she would have said ‘You’re nicked Ellen Parker.’

The office door opened again. “Look, we’re gonna be late… is this anything I should know about? Babe?”

“S’nothing, Mum. They made a mistake, let’s go…” I tried to push her out the door.

“That’s good sweetheart,” She grabbed my cheek and used her ‘you’re still my baby’ voice, “can’t have my little Fanny Anney getting into trouble again can we…?

Grateful 1969

Posted: March 7, 2011 in Blue Peter, children's story

Grown ups give you things and you have to be grateful. They knit you baggy jumpers and expect you to wear them. They give you books with tiny writing and no pictures and expect you to read them or sweets that aren’t proper sweets at all like sugared almonds or fruit jellies and expect you to eat them. Grateful means lying through your teeth. ‘Dear Aunty Dorothy, Thank you for the lovely jumper it fits perfectly.’ ‘Dear Aunt Margaret, I really liked the Newberry Fruits you sent’ and ‘I am looking forward to reading Grimm’s Classic Fairy tales Retold for Boys and Girls’. The clue’s in the title, Aunty.

Lies, all lies.

“Just be grateful that you have presents at Christmas.” Mum said, “There are lots of poor children in the world with no parents or kind aunties.”

Sometimes, I wished I was one of them.

Writing thank you letters can put you off writing anything for life. My mum said “If you don’t write to say ‘thank you’ you won’t get a present next year.” I tried to tell her I didn’t want those presents next year. I’d said and said and said how I wanted a Tressy with hair that really grew or an orange Spacehopper, before I grew too big to bounce really high on one. How come she couldn’t hear that when she could hear me tiptoe across the bedroom floor to turn the light back on after I was meant to be asleep?

Something good Mum did get me every year though, was a Blue Peter Annual because it was educational. I loved Val, John and Pete smiling at me from the front cover wearing their Blue Peter badges and the tiny crack it made on Christmas morning, when I opened it for the first time.  I tried making my own badge out of some cardboard from a cornflakes box. I coloured it in really thickly with blue felt tip but it was rubbish because the card was brown and my colouring was all streaky anyway.

The annual was full of pictures. Pictures of things that had been on the show that year, it was like being able to watch them all over again. I especially loved the picture of John slipping on the elephant poo and the instructions for making a ‘Dougal’ puppet off The Magic Roundabout. This year’s annual had loads of stuff about the different things people collect. Collectors have different names according to what’s in their collection. I learned that philatelists collect stamps, numismatics, coins and deltiologists, postcards. Every collector had loads of things that must have taken them years to get. Val, John and Pete said they’d like to hear about our collections. If we wrote them an interesting letter, they’d send us a Blue Peter Badge. Brilliant! I was on my way downstairs to ask Mum for a sheet of her best writing paper when I remembered I didn’t have much of anything you could call a collection. I had last year’s conkers but what could I tell Val, John and Pete about them? ‘I’ve got a big brown one, some little brown ones and some are a bit harder than the others but I don’t know which ones until the softer ones are smashed to bits.’ I slipped back in between the covers and let Aunty Dorothy’s bag of sugared almonds slide onto the floor.

Grandma lived up the end of our road; we walked up to see her almost every day. Granddad died which meant he wasn’t in the way anymore so Grandma could do lots of tidying up. Mum, Grandma and me made hundreds of trips to the Oxfam shop.

Once, not long after last Christmas, Grandma walked down the road to visit us. I didn’t see her because I was at school and she only stayed long enough to make Mum get her best china out to have a cup of tea.

“Grandma’s brought you a present,” said Mum when I got home.

Mum said ‘brought’ and not ‘bought’. That was a bad sign. She pointed to a box on the table. It was an old shoebox with some string tied round it, definitely a bad sign. I would probably be safe betting my pocket money from now until I’m really old like thirty-six or something that it wasn’t a Tressy or a Spacehopper.

“Go on then,” said Mum, “why don’t you open it?”

The box smelled funny. It smelled of Granddad’s Woodbines and the white stuff Grandma used to rub into his aches and pains. I didn’t want to open it. One of the corners was split which was why it needed the string. I was worried it was some of Granddad’s old books by people nobody’s ever heard of anymore. I closed my eyes and imagined Granddad was here again, spooky! I opened them straightaway and decided to get it over with.

“You’ll have to write Grandma a ‘thank you’.”

‘Wha…?” I slumped in the chair.

Mum’s mouth was in a thin straight line so hardly any of her lips showed at all.

“Yes, Mum”

I hooked my finger through the string that was holding the box together and slid it across the table towards me.

“Be careful,” Mum was still watching over me. She held her hands together in front of her pinny like she was hoping for something good to happen.

The knot was tiny so I pulled the string off the box with it still tied up. It was tight so it took a while to work it off. After a bit Grandma’s present didn’t smell so much. That was until I got the lid off, when it didn’t smell of Granddad any more. It was like someone sprayed a giant puff of junk shop stink right up my nose. I was brave and had a looked inside.

Well, it was brilliant! Granma had actually given me something I wanted! Exactly what I needed! I couldn’t believe I’d got one. Maybe this way it didn’t strictly count, but so what?

“Can I take it upstairs?”

“You will be careful won’t you?”

I put the lid back on the shoebox, tucked it under my arm and was careful not to let anything slide out the torn edge.

After tea, I was ready. “Can I have some paper please, Mum?”

I swear Mum clapped her hands for joy. She put a pen and a perfect bit of thick white paper, so thick it was almost a card, on the wiped table in front of me.

“I need two bits… please” her smile lost some of its curl as she returned from the cupboard again with another bit of the card paper. I expect it must have looked a bit suspicious when the most I usually managed was one side and that was by making my writing really big and spaced out.

I leant over the table, curled my left arm round the paper, rested my head on my arm and started writing. While my head was down, I felt mum place a matching envelope on the table by my guarding arm. I needed two so when she was back in the kitchen with the washing up, I pinched another one out the cupboard.

The next day, after school, I spent the sixpence I was saving for two ounces of lemon sherbet on a stamp instead. I posted one letter that wasn’t big and spaced out and when we went to Grandma’s on Saturday, gave her the other letter, which wasn’t big and spaced out either. When she read the letter, I was sure she smiled.

For weeks and weeks after that I’d come home from school and ask Mum if there’d been any post. When she asked me what I was expecting I’d pretend not to hear her until it got a bit awkward so I stopped asking and just looked to see if there were any letters lying around with my name on. A while after that, I stopped bothering to look too.

At Easter, I had three eggs, one from mum, one wrapped in turquoise silver foil in a mug from Grandma and one I won in a raffle at Holy Trinity’s spring clean jumble sale. The Aunties didn’t approve of chocolate. Mum let me off writing ‘cause we were going straight to Grandma’s for dinner.

Easter was late that year so the wait between then and my birthday wasn’t as long as usual. There was just enough time to cut out lots of pictures of Spacehoppers and Tressys from the old Kay’s catalogues in the wet playtime box at school and stick them on the bit of bedroom wall right in front of Mum’s nose if she came in to kiss me goodnight.

My birthday, when it came, was a near miss – a Cindy, with short hair and still no Spacehopper. There was a small pile of post for me when I got home from school. Mum sat me down at the table with an ice cream sandwich as a special treat before we went up to Grandma’s for tea. I opened my cards and stood each one in front of me; I made a card wall of lucky black cats, bouncy bunnies and cute ponies. The last envelope was bigger than the others. It was typed and in the corner there was a little blue boat. I felt a lump inside the envelope and then one wriggle up into my throat, I fizzed all over like new bottle of lemonade. I shivered when I pushed my finger through the gap at the top and ripped it open. I didn’t want anything loose  to drop on the floor. First, I pulled out a typewritten letter

‘Dear Janette,

Thank you for your letter and the old postcard you sent us of Chinese boats. We really enjoyed reading about your collection and have put the card on our viewers’ board. Your Granddad must have had a very interesting time visiting China, when he was in the army. We think you certainly are a budding deltiologist! We hope you enjoy wearing your badge just as much as building your collection.

Best wishes

Val, John and Pete’

For about three seconds I didn’t want to look in the envelope just in case my letter wasn’t good enough. But I couldn’t think of anything else the lump could be so I took the better-than-a-space-hopper-by-a-hundred-miles present out and pinned it on my dress. I put my thank you letter from Val, John and Pete back in its envelope, took Mum’s hand and let her lead me, a real Blue Peter badge winner up the road to Grandma’s for my birthday tea.

I wanted to wear the letter as well to show everyone that I’d done something good and people liked it, not just people, Val, John and Pete from Blue Peter people. Now I knew what it felt like to get one, I didn’t mind quite so much about having to write them. Well…

 

 


NaNoWriMo and Me

Posted: February 28, 2011 in Uncategorized

I’ve been trying to write a blog post about the pros and cons of a NaNo novel for ages but got blogged down in the mire of self-examination about other boring stuff. It’s a dire place to be.  Scrapped that.

So here we go, final attempt.

I’ve done NaNowrimo three times and I’ve ‘won’ twice. My first effort, after it was translated from gibberish (very little punctuation, chaotic spelling and barely English) was rewritten and rejigged a number of times before I thought I’d finished.

It was my first novel and how much I didn’t want to perform major surgery on the plot and how much it needed it. Culling characters in a cast of thousands was also out of the question. It would have been like casting them into the outer darkness.

Not any more. Three novels later, I have a safe haven for culled characters, I have learned that nothing is ever wasted and however much I love Chris Baty’s ‘No Plot, No Problem’ it is a problem for me.

So now, like all converts, I am overbearingly enthusiastic – about planning, plotting, outlining, treatmenting – all those things along with researching and thinking you can do to make a story before you start writing it.

Now I have boundaries – I keep the population down and I plan before I get carried away on the charging rhino of a great idea.

The first two novels were seat of the pants affairs, lurching from no plot to too much. I have some hope that the third novel, outlined, plotted, written and rewritten, has the right amount.

I don’t think I could have done the third without the first two. NaNo’s crazy just do it methodology helped me to get to know my characters more than interviewing them with one of those character building questionnaires you get all over the web. They are the dullest things and I suspect create the dullest characters. NaNo was fun and fabulous for generating ideas. I could probably build half a dozen novels of the new streamlined variety from the material I spun in the first two.

It was brilliant for making me write everyday. 1667 words a day is sustainable for a month but not for much longer, so 750, which gets the 50k in three months, is a cinch. It also taught me a crucial lesson: Get to the end of the story before you start faffing around. Getting to the end of the story gives me a feel for what the story’s really about, a sense of accomplishment that carries me through the editing and it’s easier to massage a whole thing, rather than a half built thing into shape.

Thank you NaNoWriMo, although I don’t know how far I’ve yet to go, I’m a lot closer than I would have been without you.

So this is what I do now:

  • Think, collect characters and decide who is going to be in the story.
  • Get to know them by writing short stories or indeed a NaNo novel or two about them.
  • Let the characters suggest plot ideas.
  • Write each idea on its own sticky.
  • When there’s a few each for a beginning, middle and end start sorting on a time line, a long strip of paper.
  • Add to the time line until there’s enough to lose (save for later) and still have enough for a story. (Takes a while for story to brew.)
  • Start creating a narrative
  • Manipulate: think, add, sort, experiment with re-ordering….
  • Ask myself:  Are there enough obstacles for hero to overcome? Is it his story? Does he change at the end? Is there enough resolution? Enough cliffhangers? Does it feel good at the end?   Is there enough left open for possible sequel?
  • Only start writing when there’s a solid worked out ending in place.
  • Make a lovely spreadsheet with daily targets that go from red to black when you reach them.
  • Start writing.
  • Ok, I’ll probably get more ideas once I start writing but I can use the framework to judge whether or not they’re keepers or saves for later.
  • Keep writing until the end, updating framework with any new idea that’s a keeper.
  • Celebrate by catching up on telly, reading and sewing. Think about getting a grip on house, fridge and washing.
  • Read, edit and rewrite.

I’ve got some very generous writerly friends who read and comment and even get their kids to read and comment. I listen to what they have to say, particularly to anything they didn’t ‘get’ and deal with it. This is the bit that seems to go on forever, when I try to start thinking about the next one…